Born: January 1, 1900, Girona, Spain
Died: October 27, 1990, Barcelona, Spain
Cugat was a Catalan-Cuban-American bandleader whom many consider to have had more to do with the infusion of Latin music into United States popular music than any other musician. Perez Prado followed in Cugat's footsteps. Cugat was born in Girona, in Catalonia (Spain). With his family, he immigrated to Cuba when he was five. He trained as a classical violinist and played with the Orchestra of the Teatro Nacional in Havana. On 6 July 1915, Cugat and his family arrived in New York as immigrant passengers on board the S.S. Havana. Entering the world of show business, he played with a band called “The Gigolos” during the tango craze. Later, he went to work for the Los Angeles Times as a cartoonist. Cugat's caricatures were later nationally syndicated. His older brother, Francis, was an artist of some note, having painted the famous cover art for F. Scott Fitzgerald's masterpiece, The Great Gatsby. In the late 1920s, as sound began to be used in films, he put together another tango band that had some success in early short musical films. By the early 1930s, he began appearing with his group in feature films. Cugat took his band to New York for the 1931 opening of Waldorf Astoria Hotel and it became the hotel's resident band. One of his trademarks was to hold a small Chihuahua dog while he waved his baton with the other arm. He shuttled between New York and Los Angeles for most of the next thirty years, alternating hotel and radio dates with movie appearances in films such as Week-End at the Waldorf (1945) and Neptune's Daughter (1949). In 1940, he recorded the song Perfidia with singer Miguelito Valdés which became a big hit. Cugat followed trends closely, making records for the conga, the mambo, the cha-cha-cha, and the twist when each was in fashion. His first marriage was to Rita Montaner, his second to Carmen Castillo (1929 – 1946), his third to Lorraine Allen (1947 – 28 April 1952), and his fourth to singer Abbe Lane in 1952. He
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